SSB in Radiosport: LEARNING the ART of HoW to Listen

It is no secret that in radiosport I prefer CW contests 1st, RTTY contests 2nd and Ssb contests
a distant 3rd.  I have previously written about what makes Cw contests my favorite ([CLICK HERE]
to read about this).  With CW/RTTY contests, speaking dialects are NoT a problem - we use limited variations on English to get the message thru.  (The use of Q-Codes makes a HUGE difference.)

While it is true that Crappy Cw and off-frequency RTTY signals can make for tricky copy, RTTY signals can be tuned in using the R-I-T (Clarifier) control, and we can ask for repeats on Cw until
we get it right.  With Ssb (voice), in DX contests, repeats are all too often necessary. 
As I mentioned in the write-up on the ARRL DX Ssb contest ([CLICK HERE] to read that),

Non-English-speaking stations often think they heard me say:

• WQ4X - Whiskey Quebec Four Xray - HuH? - How does SIX become FOUR?
• Whiskey Quebec Six Foxtrot - HuH? - How does XRAY become FOXTROT?

I would then say "California - Charlie Alpha" - transl. "Charlie Alpha" is in the SIXTH (6th)
call area.  In retrospect, I should have used several of the pre-recorded .WAV files to say
my callsign in four different ways. As they say - maybe next time.

Things to do for an improved Ssb radiosport operating experience include:
For RECEIVE

• Leverage the filter systems built-in to the radio itself.
  Example: the FT-1000mp and FT-2000 transceivers I use are equipped with
  some form of a CONTOUR facility (the FT-2000 Contour control is linearly-variable)
  
  
  
  
• Implement external audio filters to contour the audio passband to improve the listening experience.
• I utilize a pair of audio mixers:
  - A USB powered unit for processing 1/8" cables to blend the input.
  - A Rockville 4-channel stereo unit supporting RCA cables.
  
  
  
• The Rockville unit combines audio from a number of different filter units:
  - A pair of Autek QF-1a units to run Stereo-Cw and Stereo-RTTY
  These filters are front ended by a Radio Shaft 16-band Stereo Equalizer
  - A pair of MFJ 752 "Signal Enhancer" units for Stereo-Ssb
  
  
  
• An MFJ-783 Super DSP filter to supplement Ssb audio in the left channel.
• A JPS NIR-10 cascaded into an NIR-12 to supplement filtering in the right channel.

For many operators the above layout may seem daunting.  In fact, once a "sweet spot" is found,
these settings can then be left for future operations.  Altho I don't use one, you might find it useful
to create an audio filter "cheat sheet" to record the ideal settings for each approach used, similar to the way we do with manually adjusted antenna tuners.

I am a hopeless knob twiddler, living under the probably delusional illusion that proper knob
twiddling can make a hopelessly unreadable signal to become readable.

It's one thing to improve Ssb reception to reduce the number of repeats.  However, if the quality
of your Ssb audio is questionable, repeats will still be necessary.  Once we have the receive-side of the equation worked out, next up is to optimize the transmit side of the operation; first mic filter wise, followed by perfecting how we actually use the hardwire to get our vocal communication thru.

The choice of microphone(s) makes all the difference.  Using a simply 4-port switch box
the following can be switched into the transmit audio line:

• A $13 Ebay-special full frequency microphone
• A Heil PRO-set
• A Radio Shaft stereo microphone (intended for reel-to-reel tape recorders)
• RTTY transmit audio from the laptop sound card

While many of the newer design transceivers come equipped with (usually menu driven) equalizer capabilities, we can front-end older transmitters and transceivers with equalizers similar (if not identical) to the ones we use on receive.  Different microphones offer different frequency response curves and output levels; a stereo equalizer can be set for two different microphones (or audio sources).

Using an audio switch box or audio mixing unit to select the microphone appropriate to the operation at that time (Ex: ragchewing, net control work or contest running).  

Of course, the efficacy of proper equalization can easily be undermined by having the mic gain and/or speech processor settings set exceedingly high.

To gain certainty on how our transmit audio sounds, listen to the audio via
the MONI circuit built-in to many transceivers. 

However, if "distortion products" enter the PA amp after the Moni circuits, the only accurate way
 to know that is an external receiver (w/the RF gain turned down to prevent front-end overload distortion). 

Another approach is to listen to your signal by way of a webSDR that can hear the signal at a decent level.  Many SDR's sport "waterfall" spectrum displays offering a visual representation of signal quality.  Additionally, many SDRs support signal recording for replay and analysis later.

The final step in perfecting Ssb audio is to rehearse/practice what you will be saying in advance of
the contest event.  While you're at it, recording .WAV/.MP3 files will not only save your voice later,
it will capture and repeat perfect pronunciation (when you eventually do get it right).

As you can see, successful listening isn't JUST about listening - there are many factors involved.

Do YOU run Ssb radiosport contests?

What do YOU use to improve audio continuity?

WQ6X Wangles a WEIRD-ly Different ARRL DX Ssb ConTesT

Two weekends back, WQ6X ran a uniquely unique ARRL DX Cw contest, purposely operating
the in-house Yaesu FT-2000 transceiver I maintain at W7AYT's East Bay (EB) ARRL section QTH in Concord.  For the Ssb counterpart of the ARRL DX contest pair, permission was granted to run QRP Ssb from STN-1 @WA6TQT's Superstation on the hilltop in Anza California.  As it turns out, this was
a mixed blessing.

Having access to ~100' towered stacked-yagi arrays (40m thru 10m) makes a 5-watt QRP signal sound more like 400 watts - operators frequently don't believe I am running QRP until they lookup WA6TQT on QRZ.Com.  During the contest weekend, the downside of ~100-ft towers was manifest when 75-mph winds whipped through the Radio Ranch Real Estate Saturday & Sunday afternoons.  To protect the yagi-stack elements, the masts were all positioned @ more-or-less ~49-degrees, which of course while great for working Europe, was nearly useless when it came to quality communication with Asia and Hawaii.

While there was access to a KT-36 rotatable yagi pointed 300-degrees azimuth, at ~50-feet high, its performance hardly compares with 100-foot yagi stacks.  Essentially, it was either antenna safety at the risk of antenna destruction or risk it and take a chance.  The KT-36 safety method won out - as it turns out, Asian participation was significantly less for this year's contest incarnation.,

Behind the scenes, Space-WX anomalies of various flavors riddled (or should I say whittled) the operating experience.  Depending on which operators (at different locations across North America), EU was wide-open or non-existent.  At WA6TQT is was a mixed bag.  On Saturday, working into EU was an unfilled dream, only partially realized on Sunday morning.

DX Ssb contests are actually my least favorite of all radiosport events.  Stations around the world know just enough English (the predominant language used in radiosport contests) to more-or-less make 2-way QSOs a possibility.    Many OPs think all they need to be able to say is "5-NINE Kilowatt" and understand things like "5-NINE CALIFORNIA" - would that it would be that easy.

In the past, I have written a number of Blogs detailing my MAJOR Beefs during radiosport.

It would seem that the 2o26 ARRL DX Ssb contest has brought them back to the surface with
a few additional specifics.

• Stations often copied my callsign as Whiskey Quebec FOUR (4).  HuH? 
  How do you get QUEBEC-4 out of 6-XRAY?
• Otherwise, stations copied my callsign as Whiskey Quebec 6 Foxtrot? 
  HuH? REALLY?
  How does X-RAY become FOXTROT?  The don't sound anything alike.
• Operators spoke their callsigns WAY to FAST - the caveat being they were
  often mis-spotted Fast but Unintelligible. actually slows EVERYONE down. 
  The solutions is to STFD - Slow Down!
• Similar to Cw and RTTY contests, are stations who turn my uniquely chosen RUN Frequency (Ex: 21377.77) into their own run frequency.  HuH?  Wassup with THAT? 
  I understand coming somewhat CLOSE to my run frequency (Ex: 21377.00 21378.00) however, when they are EXACTLY zero-beat, I know that is no accident. 
  AT the very least, it is RUDE and poor operating ethics.
• During Ssb DX radio contests, the after midnight (local time) periods are often littered
  with bogus RTTY-type signals, such as the one heard on 7141.41 @09:58z.  
• Earlier (08:15z), there was what I call the "wind noise jammer" on 7144.44,
  with high-speed RTTY heard way in the background - HoW WEIRD is THAT?!
• Later, back on 7144.44, out of nowhere JA stations went into ragchew mode on 7143.09,
  creating UNBEARABLE SPLATTER!   Obviously, they are NoT going to move - time to yet again find a new run frequency, good until Billy-Bob and his brother Barney show to enjoy their cross-town ragchew, exactly zero-beat with my latest run frequency.
• Near the contest end, we were frustrated by 5Z4A (Kenya) who would call CQ despite already having 50-stations calling him on 14.172.  To make matters WORSE, this frequency also became a National Tuneup Frequency.  In the course of 30 minutes,
  I believe he work less than a dozen stations.  REALLY?  Am I missing something? WTF?!

When the contest weekend ended, just under 24-hours OP time made it into the WQ6X QRP LoG.
According to 3830Scores.com, WQ6X took 2nd-place of USA/NA in the event; not bad for just
winging it all the way.

DiD YOU work the ARRL DX Ssb contest?

If you were DX, is WQ6X in YOUR LoG?

WQ6X Wings a WEIRD NAQP RTTY GiG and NAQP QSO Party

The 2o26 contest weekend brought us a radiosport weekend bridging Saturday (in FEB) and Sunday
(in MARCH).  The 12-hour NAQP RTTY contest always runs the 4th weekend of February, which
this year scheduled it in heel of the month of February, with the NAQP QSO Party always on the
1st Sunday of March, which occasionally follows NAQP Saturday?  Sound complicated?  I guess
it all depends on your point of view.

The weekend brought us 3 radiosport GiGs, only 2 of which were available to me.

• [X} - CQ 160 Ssb Contest
• [X} - NAQP RTTY Contest
• [X} - NCQP North Carolina QSO Party

The Anza superstation was already claimed for the weekend, so there was no CQ 160-meter
activity for WQ6X on this weekend, which is fine by me - even with a simple exchange as "5-NINE CALIFORNIA", over two evenings, one's voice can be seriously compromised over the coarse of two contest evenings.

Saturday morning, a meeting of the Amateur Radio Club of Alameda (ARCA) pre-empted an early NAQP RTTY start.  When I finally got behind the radios @W7AYT's Concord QTH, the remote location in Ramona was experiencing internet dropouts making remote running all but impossible.  Similar to the weekend before, the decision was made to run RTTY locally from the Concord location using the onsite Yaesu FT-2000, running about 75-watts RTTY.  

For 20 & 15, the 10-meter Long John yagi was tuned as a rotating dipole.  On 40-meters, a classic 8JK Cobra dipole wire array more or less did the job.  Unfortunately, signal levels were so low, in the end, only 26 QSOs (16 Multipliers) made it to the WQ6X Log.  At least it can be said that WQ6X made the scene.

For Sunday, the day opened running 16:00z TO 18:00z until there were no new callsigns to work.  Because I had a biofeedback client scheduled for my Alameda office, a break was made to get to Alameda to take care of business.  At 21:20z I was back at it, again finding new stations to work. 
On a whim, @21;34z the radio made it to 40-meters with the stacked 40-meter yagi's at the Anza location pointed directly at North Carolina to put 2-QSOs in the log - amazing for so early in the afternoon.

At 23:54z, with just over an hour left, the decision was to end the NCQP running on 40-meters. 
After nearly an hour with only 11 40m QSOs in the log, the decision was made to Call CQ NAQP. 
As it turns out, only ONE out of 6 callers was actually in North Carolina.  Out of frustration, another installment was made in the Blog series detailing why you should not call me.  ([CLICK HERE] to
read that Blog entry.)  Aside from the single NC QSO in the log, at LEAST there was a plethora of RBN SPoTs.

When it was all over WQ6X managed a 1st-place for CW-only from California.

DiD YOU work the NAQP RTTY or NCQP QAO Party?

Is WQ6X in YOUR LoG?

WQ6X Reiterates Reasons Why YOU Should Not Call me.

Running an ad-HOC North Carolina QSO Party (NCQP), near the end, I ran out of NC stations calling CQ (that I could hear at any rate), so I modified the F1-CQ macro to call CQ for NCQP looking to pick up any NC stations that (for whatever reason) are not calling CQ.  This is what I sent:

• CQ  NCQP  WQ6X/6  WQ6X/CA

TRANSLATION: I am calling CQ looking for NC stations in the NCQP.
                             This is WQ6X in the 6th call area and therefore in CA.

Now NOWHERE does the above call indicate (or even suggest) that I am in North Carolina,
that in FACT I am in the state of California.  It would seem to me that the above CQ call makes
it clear that I am calling from California and NoT North Carolina.
And yet, of the 6 stations who called me, only ONE (NC4KW) was actually in North Carolina.

It is from years of participation in other state QSO parties that I began a series of Blogs on the 
topic of Why You Should NoT Call Me.  ([CLICK HERE] to read some of these Blog entries.) 

While I have said all of this before, let's review the above reasons in the context of the North
Carolina QSO Party (NCQP).

• Do you Know What NCQP Is?  (If NO, then you should not call me.)
• Do you Know That WQ6X/6 means I am not in North Carolina? 
  (If NO, then you should not call me.  If YES, then you should not call me)
• Do you Know That WQ6X/CA means I am in California not in North Carolina? 
  (If NO, then you should not call me.  If YES, then you should not call me)
• Do You Know that even if I DO send you an exchange your callsign will then
  be WIPED and NoT added to the Log?  BoTTom Line? - You should NoT call Me.
  
• Do you know that when I am running a contest that I am NoT looking to Ragchew?
  If you want to chit-chat, then you should not call me.
• If I am asking for a particular station and YOU are NoT that station, 
  then you should not call me.
• If we have already worked on this band/mode, then you should not call me.
  
  
  
  

Now as it turns out, there was a contest known as "SST" running on 20-meters in much
the same frequency space as the NCQP and POTA events.  However, that is no excuse
for NoT listening and BLINDLY calling me.

• If you hear me call CQ for a contest event and you don't know what that is,
  then you should not call me.
• Instead, lookup the contest name (in this case NCQP) on the internet and then
  RTFR - Read The Rules.
• Another approach is to LISTEN to stations working the contest, and you will quickly
  learn the proper exchange for the event.   Then again, if I am calling for North Carolina
  and you are not in North Carolina, then you are wasting your time.

In order to become successful at ANY form of radio communication endeavor, before we thrust our callsign into an already cacophonous frequency spectrum, we should FIRST and FOREMOST
LISTEN BEFORE WE TRANSMIT.  Then, after transmitting, we should LISTEN AGAIN!

I look forward to a QSO with you in the various radiosport contests coming up. 
Listen first and then call me in the appropriate contest at the appropriate and we
can share entries in each other log.

C U Down the LoG.

WQ6X Wangles a Weirdly Different ARRL DX Cw ConTesT

 

For numerous reasons (too complicated to elaborate on at this time), instead of running QRP
remote from Southern California, the decision was made to run low power (LP) assisted using
the Yaesu FT-2000 that has been languishing @W7AYT's QTH in the East Bay (EB) ARRL section.
Having recently revamped the audio lines for this setup, it made sense revamp the computer/antenna
cabling inside the shack.

The weekend operation was plagued by two issues. unfortunately, not actually resolved
until Sunday evening (after the contest was long over).

• RFI in the shacking BOMBing the USB cable to the RigExpert CAT interface unit
  (solved by shifting the USB cable to a port several feet away from the MFJ-993b IntelliTuner).
• HORRIBLE internet "jitters" (Solved by a thorough / lengthy modem/router restart.)

Of course, the advantage of running locally is no need for internet access to run the radio.
Then again, there are no RFI issues at the KN6NBT and WA6TQT remote installations.

As mentioned earlier, RFI was a HUGE problem on 80, 40 and 20 meters when using the "infamous" WQ6X 8JK Cobra wire array.  Dialing back the power from 90watts often down to 30-watts in some cases seemed to resolve the overloading somewhat.

For the high bands (20-15-10), a 10-meter Long John yagi worked superbly on 10-meters
and performed remarkedly well when tuned as a rotary dipole on 20 and 15 meters.  Compared
to the 8JK array, the yagi on receive resulted in relatively noise free reception, altho the 8JK array probably produced a stronger signal on transmit.

Similar to recent radiosport weekends, the ARRL DX contest was plagued by numerous
geomagnetic storms throughout the weekend.  Reading numerous soapbox comments,
there seems to be a general consensus that Friday evening and most of Saturday, propagation conditions were quite good, especially when you take into account the [relatively] low SFI (111)
and K-Index floating between 3 and 4 much of the time.

Sunday morning the high bands were so quiet (dead?) there was a concern that either the radio equipment (and/or the antenna system) had failed.  Around 20:00z conditions dramatically improved (relatively speak), altho there seemed to be a dearth of "NEW" stations for the log.  It was at this time
I switched to wireless operating the radio while laying out on a comfortable bed.

With all the different effects induced by the drastically changing Space-WX, using the Stereo-CW method made signals more readable, reducing the number of "repeats" necessary to complete a CW communication.  Making the decision to run SO2-V for this contest, Stereo-CW became an absolute
MUST, to keep the signals properly "sorted out" in each ear.  When running pile-ups, there is no need for SO2-V.  Then again, on days like Sunday in this contest, at the very least, SO2-V helps alleviate the boredumb in between QSOs and RUNs.

When it was all over, WQ6X was largely at the bottom of the heap, except for California (CA), 
East Bay (EB) Section and Pacific (PAC) Division.

DiD YOU work the ARRL DX ConTesT?

How many Countries or States/Provinces DiD YOU Get?

Is WQ6X in YOUR Log?

Some CooL ThoTs on HoW NoT to RuN a Frequency

During any given radiosport contest, we spend an inordinate amount of time look for stations
(hopefully multipliers) running a frequency.  The idea is to "brave the pileup", slip the callsign
in once and receive a contest exchange immediately in return.  Would that it be that easy.  

All too often we end up chasing run stations that simply do NoT HAVE a CLUE how to actually
run a frequency with any kind of efficiency.  After thinking it through a list emerged on HoW NoT
to run a frequency.  Here are some examples:

• Wait only 1-Second between CQ calls
  It takes me at least 1.5-seconds to press the F4 key to send you my callsign.
  
  
  
  
• Make 10+ QSOs without sending us your callsign.
  Many contests require sending your callsign for every QSO
  or every 3-QSOS.
  
  
  
  
  
• Call for "WQ6?" and end up working KB4LID instead.
  
  
  
  
• Working too close to the band edge (Ex: 7.299) - to work you, we risk
  an O-O transmitting out-of-band violation.
  
  
  
  
  
• Signing a callsign not indicating the ACTUAL area you are from: (Ex: a KH7 in AZ)
  Some RTTY contests REQUIRE signing the call area you are actually in. 
  Ex: KH7XX/W7 if you are operating from Arizona.
  
  
  
  
  
• When you have a pile-up of stations, someone asks you to work them on another band or mode and you leave us STRANDED to satisfy his request.  Should we STAY or should we GO?
  
  
  
  
  
• Calling CQ when you already have 7+ callers frantically calling in.
  
  
  
  
  
• Running 35-WPM Cw and wondering why nobody is coming back to your
  CQ S55SS call.  When you QRS to 28-WPM, suddenly you are flooded with
  calling stations - GO Figure.
  
  
  
  
  
• NoT pronouncing your callsign slowly and succinctly.
  Bottom line - if we can't understand you, we either cannot work you or we put
  the wrong callsign in the log and we both get dinged with a NIL (NoT-in-Log)
  mistake and lose QSO credit.
  
  
  
  
• When running RTTY, always prefix the QSO exchange with the caller's callsign,
  lest some other station (with perfectly decoded copy) thinks you are working them.
  
  
  
  
• NoT understanding or using R-I-T to tune off-frequency calling stations to work
  them and then be done with them.  Using the {ClearRit} macro (N1MM+) when
  sending TU QRZ? resets the RX-VFO for the remaining callers who ARE on frequency.
  Using the Stereo-RTTY method makes it more aurally easier to tune in stations.
  
  
  
  

The above points are simply the most OBVIOUS ways NoT to Run a Frequency.
As more ideas are encountered a "Part-2" will be created along this topic line.

What are YOUR thoughts regarding running frequencies?

SoMe MoRe ThoTs on SteReo RTTY

While Stereo-RTTY (a late descendant of Stereo-CW) is hardly a new idea, recent months have
found me experimenting with different ways to actually achieve the most effective results using this method.  In summary, the "Stereo" audio approach involves using a pair of audio filters (I prefer Autek QF-1A's) to create a near 180-degree wide listening experience.  Overall, this audio effect in essence creates/generates a "bandpass filter" within which to "play around" inside.

Before writing this Blog, a SEARCH was done regarding Stereo RTTY posts in this Blogspot:

• [X] - (2o22): Stereo-RTTY: Is It Possible? (What can We Do with it?)
• [X] - (2o22): Stereo-RTTY: How can We Leverage It?
• [X] - (2o24): Stereo-RTTY Revisited (Yet Again)
• [X] - (2o20): BLAST from the Past: External Audio Filters I have Known
• [X] - (2o24): Demonstrating the Stereo-Radio concept - for YOUR Satisfaction
• [X] - (2o24): Using Stereo Ssb in Worldwide DX Contests
• [X] - (2o24):  BLASTS from the PAST: Stereo CW and it's many Variants.

With RTTY, because we use 2 (170-hz separated) tones, we can adjust the individual filters to "peak" those tones in each ear.  Stations who call in off-frequency will be attenuated to the degree that they are off frequency.  The selectivity control on most filters enables us to control the breadth and depth
of that attenuation.

Using the R-I-T control, off-frequency stations can be "centered" by peaking both tones in both ears. 
You should notice a noticeable improvement in the RTTY decoding as the tones are peaked in each ear.  Because RTTY tones are ALWAYS 170-hz apart, the external audio filters can be set to enhance the audio frequency pair of your choosing.

Experimenting with different decoders can also enhance the quality of the decoding process.
Some operators keep 2 or even 3 different decoders running (often on separate screens) with the
hope that at any given moment, one of the decoders will make sense out of seeming-gibberish to the other programs.

Like ANY of the "Stereo" methods I make use of in Radiosport, to get the most out of these methods, spending LoTs of listening time to learn the proper filter adjustments will find you more than ready when the next RTTY contest comes up.

Do YOU run RTTY?

If you're not using Stereo-RTTY, then you are missing out on leveraging 20th-century analog
technology in today's 21st-century radiosport world.  GO ahead - Give it a try.

WQ6X WanGLes YeT AnoTher QRP WPX (Weird Prefix) ConTesT

Of the three WPX (Weird Prefix) contests, the RTTY GiG in February is how it all begins each year.  While the only multipliers are the callsign prefixes, due to the unique point system, ending scores can be in the millions:

One of the CooL things about ALL CQ contests is their 48-hour duration; not
that you have to operate all 48 hours.  

Having 3 opportunities to find openings on 20-15-10 can compensate for solar storm "pollution" and disruptions that often invade
a radiosport contest weekend, as happened during this year's WPX RTTY contest.

The decision was made to run the event from STN-1 @WA6TQT ("Radio Ranch") in Anza, Southern California offering access to the amazing antenna farm loaded w/stacked yagis and a 4-Square 80-meter vertical array.  Rather than switch operations between Alameda and Concord, the 1st 6-hours
of the event were forgone to run the event entirely from Concord.  (An advantage to this QTH is that Cw/RTTY contests can be run from this location wearing wireless headphones, while languishing on the bed, by way of a Logitech wireless keyboard and trackball - altho admittedly at one point I fell asleep causing STN-1's timeout facility to put the station in STBY mode.

In this contest, individual DX countries mean nothing (except 1, 2 or 3 points), while unique callsign prefixes mean everything.  Because WQ6 is unique/desirable WPX prefix, altho running QRP, there were often lines of stations looking for WQ6X's run frequency.  

 Thanks to the Concord location sporting 2 separate WiFi router speeds, I ran the K3/0-Mini on the
5-Ghz connection and the VNC viewer (for remote station control), using the 2.4-Ghz connection.  
The faster connection speed significantly reduced the [so-called] "jitter" in the RTTY transmission
and decoding.

Having an array of pre-programmed function keys ad RTTY buttons on the MMTY RTTY
control app enabled sending specific messages to get the job done.

My biggest beef was with the numerous stations "stealing" my specifically chosen run frequencies
(Ex: 21111.11, 21131.31, 14088.88, 7091.91, etc.).  I PURPOSELY choose those specific run frequencies such that when a station calls CQ Exactly Zero-beat on my run frequency, I KNOW
it is no accident.  WASSUP with THAT?

Another beef involves stations who call in significantly off frequency; then again, that's why transceivers come equipped with R-I-T controls (to tune these stations in).  Because the RX
bandpass is purposely set quite narrow, off frequency RTTY signals are often interpreted as
intending to be for someone else.  Using the Stereo-RTTY method, off-frequency signals can
be shifted from the extreme Left/Right side of the listening experience to becoming more evenly centered.  The [F3] N1MM function key issues a {ClearRit} command once the contact is safely
in the log.

Before-during-after the WPX GiG, we were plagued w/remnants and variants of solar noise,
inducing fading, making "repeats" necessary.  Unfortunately, using [D]NR to process the noise,
more-or-less disrupted RTTY decoding, making it a worthless liability.  

Despite beliefs to the contrary, Solar Cycle 25 is far from over.  Reading many 3830 comments
from Southern California operators, there seems to be a consensus that high K-index indicators
littered the entire radiosport weekend.  To make the noise less audibly-irritating, after the audio
was "successfully" decoded, it was run thru an MFJ-784 DSP unit (Left ear) and an MFJ-752
"Signal Enhancer" (Right ear) to "soften" the sound somewhat.

As we enter the final hour, my desperate goal was to log contact #500.  Alas, Space-WX
and internet dropouts conspired against that goal, resulting in 499 QSOs being logged.

While I was sad to see it all come to a swift end, it was a relief when it was all over. 
According to 3830Scores, WQ6X took 4th-place overall and 2nd-place for USA/N.A.,
which is not bad for operating only 24 hours of a 48-hour event.

DiD YOU work the 2o26 WPX RTTY Contest?

Is WQ6X in YOUR LoG?

WQ6X Wangles a Divergent 5-Contest Weekend

This 5-contest weekend engaged many divergent operating modes implemented by 2 computers
at W7AYT's Concord QTH.  While the Windoze-7 computer is capable of running RTTY effectively,
the firmware is so ancient that it does not "see" the 5-Ghz wireless router, only the antiquated 2.4-Ghz signal.

The decision was made to connect the RRC-1258 interface unit to the faster 5-Ghz router by
way of a Windoze-11 computer borrowed from my Alameda office to run remota from Ramona. 
While internet access was dramatically improved over the previous weekend, there were numerous
"2-second dropouts" throughout the weekend.  Nonetheless, 5 radiosport events made into the 2o26 Logbook.

• [X] VTQP - (Starting @4pm Friday in PST)
• [X] XE-RTTY - (Starting @4am Saturday in PST)
• [X] MNQP - (Starting @6am Saturday in PST)
• [X] BCQP - (Starting @8am Saturday in PST)
• [X] NA SPRINT Cw - (Starting @4pm Saturday in PST)

While the hosts of the VT QSO Party don't like me pointing out the obvious, lack of in-state CW/Ssb participation is always a disappointment.  Their response to my 2o25 soapbox entry deserves my obvious response.

The above response boasts that 33 VT stations were on the air during last year's event (Really?  THAT many?), however my running QRP has nothing to do with my hearing only 6 stations on traditional HF modes (IMO FT4 and FT8 are HARDLY conventional).  Over 48 hours of OP-time, 
I would expect to hear 2x to 3x last year's 33-station count.  If there in fact WERE more hearable stations, they would end up on the spotting bandmap.  My goal was NOT to run remote from other states, ONLY from California.  My moving to the East coast is NoT the answer to not enough CW/Ssb stations.

Rather than make ridiculous recommendations for me, the contest committee should be soliciting
in-state VT participation beginning in September, for the following February event.

Behind the scenes was questionable Space-WX.  Despite the "GREEN" reports,
the higher bands were considerably noisy and full of fast-fading, requiring numerous
EXCHG repeats.

When it was all over, it would seem that WQ6X made MANY 1st-place scores, altho we
will not be sure until each contest publishes their ending results, as many OPs don't use
the Scoreboard or submit their scores to the 3830 website.

DiD YOU work the 5-Contest weekend?

Is WQ6X in YOUR LoG?