(Several weeks ago, my weekends were spent engaged in another kind of contest activity;
namely, ToasTmasTers Speech Contests. ([CLICK HERE] to read more about this.)
The only radiosport event of note for the 2nd weekend in June is the South American - SACW
(aka GACW) GiG. The actual RULES (in English) can be found HERE.
idea was abandoned in favor of 93-watts, [almost] wishing I had access to a medium amplifier.
Client commitments kept me out of the operator chair until 21:14z. 10-meters was already gone
(or never opened at all for the day) and 15-meters barely made a showing.
(both day and night). Of the 84 QSOs made 27 (28%) were 0-point USA contacts. I was happy
to work them as they provided an adjunct (or confirmation) of the RBN stats.
I ALWAYS say that. Hope for 40-meter salvage, for the most part never occurred, requiring multiple returns to 20-meters to find meaning from the OP time. While it surely was profitable (pointwise) and double-mult wise) to work EU, South American QSOs were worth 5-points (compared to 2 & 3 points otherwise). I ended the SACW contest an hour early, finding no new stations for the log.
morass of filter units which make up the Stereo Audio configuration, undergoing continuous
evolution as I explore various audio filter combinations.
in audio from a JPS NIR-10 and/or JPS NIR-12 DSP units. While these devices can certainly make
a difference, this 30-year-old DSP technology introduces a not-insignificant latency into the resultant audio. After a number of unsuccessful attempts to resolve this situation, I happened on to a little
unit known as an AV "Lip-synch Corrector".
The idea is to purposely introduce a 125ms to 250ms time delay into the "fast" audio,
delaying it long enough to match the DSP latency in the slower channel. Because the unit
utilizes RCA jacks, I had to use cable conversion blocks to split the 1/8" stereo plugs to match
the AV configuration.
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